Kendall Roy, the heir from HBO's Succession, became the unofficial mascot of quiet luxury, and it's easy to see why. His clothes say money only to people who know what they're looking at: soft tailoring, heavy natural fabrics, neutral suits, a cashmere baseball cap, and not one visible logo. As someone who dresses men for real offices and real weekends, I find his wardrobe more useful than most celebrity style, because almost every piece is a classic with one adjustment. Here are 20 complete outfits from the show, from the tieless navy suit to the funeral black, with what I'd watch for when you build each one yourself.
Why His Suits Look Relaxed Instead of Stiff
Most of the polish in his wardrobe comes from how the jackets are built, not from color or brand. When men ask me why their suit looks boxy next to his, the answer is usually one of three things.
- Shoulder padding. His jackets have little or none, so the shoulder follows his body. Heavily padded shoulders look formal and a little dated next to this style.
- Canvas versus glue. A jacket with a sewn canvas chest shapes itself to you over time and drapes softly. A cheaper fused jacket is stiffer and can bubble after dry cleaning.
- Trouser rise and break. His trousers sit at the natural waist and barely touch the shoe. A low rise with a long break is what makes a suit look borrowed.
You don't need a made-to-measure suit to get close. A soft-shouldered off-the-rack suit with trousers hemmed properly gets most men eighty percent of the way.
1. Kendall Roy Tailored Suit
He rarely looks wrong in a well-cut suit. Picture a dark navy or charcoal two-piece in the Brunello Cucinelli mold, with a soft, unstructured shoulder that moves with him instead of standing up on its own. He goes tieless with a crisp white shirt open at the collar, trousers tapering slightly over polished black oxfords, and a serious but quiet watch. The detail I'd copy first is the trouser length: a slight break or no break at all. A taper with a lot of fabric pooling on the shoe undoes the whole effect. It's a suit for running a room without looking like you're trying to.
2. Brown Suit Open Collar
The brown wool suit with an open collar is one of his most remembered looks. The brown is deep and warm, close to dark chocolate, and it feels more creative-industry than banker. Under it he wears a pale blue or white shirt, no tie, with a slim jacket on a natural shoulder and trousers that just touch the top of the shoe. Dark brown suede loafers, a steel watch and aviators finish it. Brown suits flatter warm and olive complexions more easily than very fair, cool ones, and I'd keep a fair-skinned client in a mid brown rather than the darkest chocolate. It reads as the owner who still eats lunch with the team.
3. Loro Piana Cashmere Baseball Cap
The plain cashmere cap is the piece people remember. He wears it in navy, charcoal or beige with equally quiet clothes: a cream or gray cotton hoodie, dark slim jeans and spotless white leather sneakers. The cap drapes softly and has no logo on the front, so most people never notice it and the few who do understand it. If you try this, look at the brim. A good one holds its curve and the crown sits close to the head; a floppy unstructured crown makes it look like a souvenir. Dark sunglasses and a simple digital or dive watch round out a weekend coffee-run uniform.
4. Monochromatic Blue Suit
His monochrome blue suit feels sharper and a little more modern than his usual navy. Jacket and trousers sit in the same deep slate or cerulean, worn with a matching blue knit tie or an open lighter-blue shirt, so the whole body becomes one long tonal line. Dark brown derbies and his aviators finish it. Brighter blues are less forgiving of fit than navy, because the light shows every wrinkle at the back and every ripple across the chest. I'd only go this saturated once the suit has been properly tailored. No logo anywhere; the color and shape carry it.
5. Tom Ford Bomber Jacket
He gave the bomber a stealth wealth makeover. His is a very soft suede bomber in stone or sand, over a plain neutral crewneck tee with dark indigo jeans and leather boots or clean sneakers. The jacket is the star: smooth zip front, almost no hardware, a texture that looks rich from across the street. Before buying a suede bomber I check the rib at the hem and cuffs; it should grip lightly and recover, because loose, wavy ribbing ages a jacket fast. Add a cashmere cap and aviators and you have an off-duty outfit that still reads expensive.
6. Overcoat Power Suit
In winter his signature is a big wool or cashmere-blend overcoat over a dark business suit. The coat is structured, usually charcoal or black, with a strong shoulder and a long clean line that recalls 1980s Wall Street. Underneath goes a three-piece, or a two-piece with a crisp shirt and dark tie in a Windsor knot. He wears the coat open, polished lace-ups and leather gloves below and in hand. To layer like this, the overcoat has to be sized over a jacket, not a sweater, so I always fit coats with the suit jacket on. A coat that fits over a sweater will pull at the shoulders over tailoring.
7. Kendall Roy Aviator Sunglasses
The aviators aren't an outfit, but they anchor dozens of his. He wears a slim gold-rimmed pair that suits a bespoke suit as well as a weekend hoodie. For a full outfit, picture a gray travel suit, white shirt, no tie, aviators pushed up, a leather duffel or slim backpack in hand, walking through an airport lounge as if nothing could bother him. Aviators flatter square and oval faces most easily; on a narrow face I'd pick a smaller lens so the frame doesn't reach past the cheekbones. It's attitude more than fashion, and that's why it doesn't date.
8. Black Suit Funeral Chic
Logan Roy’s funeral in the final season gave us one of Kendall's sharpest looks. Black suit, black tie, white shirt, all cut close to the body, under a long severe black wool overcoat, with black leather gloves and shoes polished almost to a mirror. It's austere and heavy with meaning. If you're dressing for a real funeral, this is a sound template, and the one thing I'd stress is matching blacks: a suit and coat bought separately can look brown or blue against each other in daylight. Every seam stays quiet, and the restraint does all the talking.
9. White Knit Polo and Trousers
In summer he shows how quiet luxury handles heat. A fine-gauge cream or white knit polo with a soft collar goes with stone tailored trousers, relaxed but not loose, and brown suede horsebit loafers or simple white leather sneakers. A thin gold chain sits at the neck. There's no logo, stripe or pattern at all. A knit polo collar has no stiffening, so it will flop if the knit is too light; I look for one with a slightly firmer, sometimes double-layered collar so it frames the face. The feeling is Mediterranean: a man with time on his hands and good fabric on his back.
10. Prada Knit Sweater
His casual side often comes through a plain-looking knit from a big Italian fashion house. It isn't an ordinary cotton crewneck but a heavy, textured wool or cashmere blend in oatmeal, dark green or chocolate, worn loose over a white tee with softly distressed slim jeans and sleek Chelsea boots or designer sneakers. The cut is slightly oversized on purpose. Heavier knits drop at the shoulder seam, so I'd size for the chest and let the shoulder fall naturally rather than sizing up. It looks basic until you touch it, which is the whole point.
11. Green Velvet Evening Jacket
For moodier evenings he reaches for a deep green velvet blazer. The velvet pile is rich and shifts color as he moves, while the tailoring stays traditional: single-breasted, peak lapels, a shaped waist. Black trousers, a white shirt open at the collar and black patent loafers keep the rest plain, with a thin gold chain and, of course, aviators even at night. It's rock star filtered through money, a nod to 1970s ease. Velvet crushes where you sit and lean, so I hang it on a wide hanger and steam it from inside; never press velvet flat with an iron.
12. Light Suede Bomber
A lighter, almost tan suede bomber is another of his casual staples. He wears it with a light gray long-sleeve polo and soft white jeans, a tonal run of sand and earth shades that makes him look long and lean, with dark brown suede desert boots. It suits a summer lunch by the water or a relaxed investor meeting. Pale suede marks easily, so treat it with a protector before the first wear and keep a suede brush handy. The jacket's material and construction do the talking and make branding pointless.
13. Navy Knit Tie and Cardigan
Sometimes he layers a navy knit tie under a fine merino V-neck cardigan in charcoal. A light blue button-down sits underneath with the tie snug at the collar, gray flannel trousers to match, a plain leather belt and brogued oxfords. The cardigan replaces the blazer, so the authority softens without slipping. I like this for men who find suits stiff, but the cardigan must be fine-gauge and close-fitting; a chunky knit over a shirt and tie looks like a teacher on a cold day. It's thoughtful, professorial dressing for a long strategy night.
14. The All-Black Lounge
His all-black outfits work like armor. This one is a black silk-blend crewneck, black Japanese selvedge jeans and a black wool overcoat over the shoulders, with black leather Chelsea boots buffed to a soft shine. The texture mix is what saves it: silk sheen, matte wool, raw denim. Without that variety, all black turns into a flat silhouette. I tell men building this to pick three different surfaces on purpose. Add a black cashmere cap and dark aviators and the result is severe, nearly monastic, and still clearly expensive.
15. Custom Flight Jacket
In the final season, Kendall and Roman wore custom flight jackets for a big tech presentation. His was a tailored brown bomber with oversized pockets, structured sleeves and discreet custom patches with a military look. He wore it with a black knit crewneck, slim wool trousers and his usual dark leather boots. To most eyes it could pass as a good vintage find, and that's the idea: power through something one-of-a-kind rather than a label. If you want the real-life version, a well-made plain flight jacket with sleeves shortened to the wrist gets you most of the way.
16. Flashtrek Sneakers and Blazer
One of his more divisive looks puts chunky, hiking-style designer sneakers with an otherwise traditional gray wool suit. The techy sneakers peek out under tailored trousers, and the blazer hangs open over a white tee instead of a dress shirt. The clash is deliberate: insider and disruptor at once, finished with aviators and a cashmere cap. If you try a suit with sneakers, have the trousers hemmed shorter with a slight taper so they sit cleanly over a bulky shoe; a full break piles up on chunky soles. It shows his whole tension: the heir who wants to be the outsider.
17. Charcoal Herringbone Overcoat
Here the coat is everything: a charcoal herringbone wool overcoat, reportedly by Loro Piana, with suede-trimmed pockets, worn over a simple navy suit, white shirt and dark silk tie. Black gloves and polished black oxfords finish it. Herringbone looks solid from a distance and shows its pattern up close, which is exactly the quiet effect he wants. I check that the coat sleeve covers the jacket sleeve completely, since a flash of suit cuff below the coat is the most common layering mistake. It's Kendall at his most formidable.
18. Beige Knit and Gold Chain
For a looser mood he wears a slouchy beige knit with a thin but solid gold chain showing at the neck, tucked loosely into faded black jeans, with clean white leather sneakers and an understated luxury watch. The chain nods to his hip-hop-loving cool-dad side, yet stays small enough to look refined. With a chain over a knit, length matters: it should sit just inside the neckline so it shows when you move. Much longer and it gets lost in the sweater. It's his date-night outfit, easy but deliberate, with a little swagger.
19. The Tech Bro Hoodie
His casual uniform often centers on a plain but expensive hoodie, the purest stealth wealth piece in his closet. It's heavyweight organic cotton or a cashmere blend in washed black or heather gray, worn with a dark long-sleeve tee, slim cargo pants and high-end trail sneakers, hood up in the back of a town car, aviators still on. He looks like a billionaire playing a garage startup founder. I judge a hoodie by its hood: it should hold its shape when down and not collapse flat on the back. Thin hoods are the first sign of a cheap one.
20. Sand Colored Suit
When he wants lighter, more optimistic authority, he chooses a sand-colored suit in that soft Italian mold. The tone is warm and nearly golden, and the cloth has a slight slub that adds depth. He wears a plain white tee under it instead of a collared shirt, dark brown suede loafers without socks, and sleeves pushed up a little. Linen and cotton suits wrinkle, and I tell men to accept the creases at the elbow and knee; that's part of the summer look. It suits an outdoor summer meeting, wealth and ease in one.
Going Tieless With a Suit and Still Looking Sharp
He wears a suit without a tie in almost half these outfits, and it's the hardest part of his look to copy well. An open collar on a regular dress shirt often collapses under the jacket lapel and spreads flat, which looks tired by noon.
- Pick a shirt with a firm collar and a taller collar band, so it stands up inside the jacket.
- Undo one button, two at most. Any more and it starts to look like a night out.
- Keep the shirt plain white or pale blue. Patterns plus no tie can read as unfinished.
- Swap oxfords for loafers or suede derbies; very formal shoes look odd under an open collar.
Where the Quiet Money Should Go First
His closet is fiction, but the priorities transfer. If I were building it on a real budget, I'd spend most on the overcoat and one navy or charcoal suit, because those are the pieces people see up close and wear for years. Knitwear comes next, since a heavy wool or cashmere sweater looks better after a season than a thin one ever does new. Shoes need good leather and a resolable sole more than a famous name. Tees, hoodies and jeans are where you can spend least, as long as the fit is right and the fabric has some weight.
Wear the Clothes, Not the Logo
Kendall Roy's style is a language of power spoken in good fabric, muted color and careful tailoring. These outfits translate a fictional billionaire's closet into things a real man can wear to work or on a Sunday. From the cashmere cap to the black funeral overcoat, the thread is the same: deliberate, discreet and expensive without saying so. Building the look means spending on materials and a tailor, not on branding. If you start anywhere, start with one well-fitted navy suit and a plain overcoat, and let his precision guide the rest: wear the clothes, don't let them wear you.
Related posts:
